AWARDS / PRESS

Year Result Award Category/Recipient(s)
2006

 Ed Wright
Nominated

KODAK BAFTA SHOWCASE AWARDS 2006

Best cinematography 
for Out of Milk (2005)



For Productions worked on 

2008 'Like Other People Do'
Dir: Alex Kelly

Winner The Director's Choice Award
at The Black Maria Film Festival, USA
Shortlisted for best Uk short at Birds Eye Film Festival March 2009
Nominated for best Uk short at: 
Raindance Film Festival and Leeds Film Festival
Shown in competition at:
Edmonton Film Festival, Canada
Florida Film Festival, USA
Hearts of Gold Film Festival, Queensland, Australia.
Shown at Denver Film Festival, USA.  
Official selection at Heartland Film Festival, Indianapolis, USA. 

2006  'Out of Milk' 
Dir: Nicola Morris

Kodak/BAFTA Short Film Award: Finalist Best Film, Best Cinematography
Winner Audience Award: Exposures Film Festival
Best Drama, 2nd Place: Exposures Film Festival
Winner Shorts Competition: Flickering Image Film Festival
Runner Up Best Short: The European Independent Film Festival
Nominated Best Film For or About Youth: Cinewest International Film Festival
Nominated Best Short Film: San Fernando Valley International Film Festival
Selected by British Council as Official British Entry for Film Festival Submissions
35mm Print Award: British Council Film Department
Distribution with Shorts International

 

2006

'A-Z of Traffic Tales'
nominated

VIDEOGRAPHER AWARDS

Honourable mention
(Corporate film:
Client: Transport for London)

2004

'Torso in the Thames' Channel 4
Nominated

INDIE AWARDS


Best scientific factual programme



Press

Article from Fuji Film's Magazine Exposure 

US title 'Murder by Design'

Exposure article  Edward Wright Director of Photography

 

" Making a Killing, filmed on Super 16 in and around Theydon Bois, east of London is, says Driscoll, 'a film noir thriller, which, I hope will keep people guessing until the final frame.'

He chose Ed Wright as DP (director of photography) after being 'blown away by his showreel. Ed has an amazing style which I would describe as hyper-real'.

         
                                                                 Quentin Falk